来源:世界名人书画网 2022-05-16 12:05:08

Promoting exchanges and mutual learning among world civilizations -- a special report by Feng Jianan, a representative Chinese artist

文化兴则国家兴,文化强则民族强。当代中国,江山壮丽,人民豪迈,前程远大。时代为我国文艺繁荣发展提供了前所未有的广阔舞台。推动社会主义文艺繁荣发展、建设社会主义文化强国,广大文艺工作者义不容辞、重任在肩、大有作为。

If culture prospers, the country prospers, and if culture is strong, the nation is strong. Contemporary China has magnificent rivers and mountains, heroic people and great prospects. The era has provided an unprecedented broad stage for the prosperity and development of China's literature and art. To promote the prosperity and development of socialist literature and art and build a socialist cultural power, the majority of literary and art workers are duty bound, shoulder the important task and make great achievements.

广大文艺工作者要增强文化自觉、坚定文化自信,以强烈的历史主动精神,积极投身社会主义文化强国建设,坚持为人民服务、为社会主义服务方向,坚持百花齐放、百家争鸣方针,坚持创造性转化、创新性发展,聚焦举旗帜、聚民心、育新人、兴文化、展形象的使命任务,在培根铸魂上展现新担当,在守正创新上实现新作为,在明德修身上焕发新风貌,用自强不息、厚德载物的文化创造,展示中国文艺新气象,铸就中华文化新辉煌,为实现第二个百年奋斗目标、实现中华民族伟大复兴的中国梦提供强大的价值引导力、文化凝聚力、精神推动力。

The majority of literary and artistic workers should enhance their cultural consciousness, strengthen their cultural self-confidence, actively participate in the construction of a socialist cultural power with a strong historical initiative, adhere to the direction of serving the people and socialism, adhere to the policy of letting a hundred flowers bloom and a hundred schools of thought contend, adhere to creative transformation and innovative development, focus on holding the banner, gathering the hearts of the people, educating new people, rejuvenating culture The mission and task of image exhibition is to show new responsibilities in Bacon's soul casting, achieve new achievements in integrity and innovation, radiate a new style in Mingde self-cultivation, display the new atmosphere of Chinese literature and art with the cultural

冯健安2

冯健安,艺名书剑,墨苔斋主人,广东新会人,党员。美术教育工作者、优秀书画指导教师;国家一级美术师;北京京华阁书画院副院长;中国楹联学会会员;全国书画艺术委员会常务理事;人民美术艺术家委员;北京当代翰墨文化艺术院山东青岛分院名誉副院长;中宣盛世国际书画院院聘画家;中国楹联学会中宣盛世文化艺术交流中心会员;全国名人书画艺术界联合会委员;国臻艺苑书画院院聘理事;中外名人艺术网“特级书画师”;全国中小学书法教学联盟成员;收藏天下全国数字电视频道栏目学术指导与特邀艺术家。

简介及优秀作品入编《心纳万境》、《科教兴国》、《世纪辉煌》、《大家风范》、《奋斗中国人》、《领航中国当代艺术卷》等十多部书籍。被授予“人民艺术家”、“德艺双馨人民艺术家”、“最具收藏价值艺术家”、“二十一世纪中国文化名人”、“中华艺术家形象大使”、“青年杰出艺术家”、“青花杯.中国传统文化最高成就奖”、“中国百位杰出艺术家”、“2022年全国两会新闻艺术家”、“北京冬奥会艺术形象大使”、“新时代杰出艺术家”等荣誉称号。2017年参加心纳万境-首届国展美术名家邀请展;作品在2018年10月15日(美国东部时间)美国纳斯达克证券交易所大屏进行荣誉展播;参加中欧文化交流匈牙利书画邀请展并授予中匈文化艺术传播大使;入选北京地铁《艺脉相承》主题巡展。

Feng Jianan, stage name Shujian, owner of Motaizhai, a native of Guangdong Xinhui, a party member. Art educator, excellent calligraphy and painting instructor; national first-class artist; vice president of Beijing Jinghuage Painting and Calligraphy Institute; member of China Couplet Association; executive director of the National Painting and Calligraphy Art Committee; member of the People's Art Artists; Beijing Contemporary Calligraphy and Painting Academy Shandong Qingdao Honorary vice president of the branch; painter employed by the Zhongxuan Shengshi International Painting and Calligraphy Academy; member of the Zhongxuan Shengshi Cultural and Art Exchange Center of the Chinese Couplet Association; member of the National Federation of Celebrity Calligraphy and Painting Art Circles; "Superior calligraphy and painting teacher"; member of the National Calligraphy Teaching Alliance in primary and secondary schools; collection of academic guidance and specially invited artists of the national digital TV channel column.

The brief introduction and excellent works have been compiled into more than ten books, such as "Heart to the World", "Rejuvenating the Country through Science and Education", "Century Glory", "Everyone's Style", "Struggling Chinese", "Leading the Chinese Contemporary Art Volume" and so on. Awarded "People's Artist", "Deity and Art Shuangxin People's Artist", "The Most Collectible Artist", "21st Century Chinese Cultural Celebrity", "Chinese Artist Image Ambassador", "Young Outstanding Artist", "Blue and White Cup" .The highest achievement award of Chinese traditional culture", "China's 100 Outstanding Artists", "2022 National People's Congress News Artists", "Beijing Winter Olympics Artistic Image Ambassador", "Outstanding Artists of the New Era" and other honorary titles. In 2017, he participated in the Invitational Exhibition of Artists in the First National Exhibition of Artists; his works were honored and broadcast on the big screen of the Nasdaq Stock Exchange on October 15, 2018 (Eastern Time); he participated in the invitation to calligraphy and painting in Hungary for cultural exchange between China and Europe The exhibition was awarded the ambassador of Sino-Hungarian culture and art communication; it was selected for the theme tour exhibition of "Inheritance of Art" in Beijing Metro.

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八骏图100X190

八骏图》100cmX190cm

百折不挠69X138(2018年创作)

《百折不挠》69cmX138cm(2018年创作)

被忽略的小海岛80x145(2019年创作)

《被忽略的小海岛》80cmx145cm(2019年创作)

富贵满堂138X69(2022年创作)

《富贵满堂》138cmX69cm(2022年创作)

花开富贵138X69

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静对风雨69X138(2019年创作)

《静对风雨》69cmX13cm(2019年创作)

连年有余138X69(2018年创作)

《连年有余》138cmX69cm(2018年创作)

旅者69X138

《旅者》69cmX138cm

云海闲钓-45X68

《云海闲钓》 45cmX68cm

老大妈-50X65(2015年创作)

《老大妈》50cmX65cm(2015年创作)

留守69X138(2017年创作)

《留守》69X138(2017年创作)

出淤泥而不染-68X136

《出淤泥而不染》68cmX136cm

天问探火138X69(2021年创作)

《天问探火》138cmX69cm(2021年创作)

行书138X34(2020年创作)

《行书》138cmX34cm(2020年创作)

行书320X80(2021年创作)

《行书》320cmX80cm(2021年创作)

临江仙(行书)69X138

《临江仙(行书)》69cmX138cm

行书69X138

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明月清风50X100

《明月清风》50cmX100cm

应物象形 随类赋彩——记著名书画家冯健安

在当代画坛,书画家冯健安的作品是一个独特的存在!他的丹青画法深师古风,但是独有借古开今的主旨经营智慧,古法不古板,笔墨当随时代!他把传统画法磨砺到炉火纯清,善用兼工带写的娴熟技法创作盛世当歌的丹青大格局。把旧式文人画意予把玩的小家子气,尽悉革除,让山水、花鸟、人物作品合成时代精神的镜像,观其画大振心颜,有磅礴之势,也有淋漓之盛,生成了当代新文人画的新面目! 
  搞好绘画创作,第一要义是把造型问题解决完美。当下,有俗笔作画,笔力不足,造型不精,画出来的东西糊涂一片,法不正宗,技不精湛,却言是“表现主义”。这种不依法度而进行的了草涂抹,把东方审美重视形神兼备的美术原则抛到了九霄云外!弄出来的中国画,仅存其名,绝无其实。反观冯健安先生中国画作品,可以兼工带写,工笔写实,出神入化,精益求精,绝不含糊。写意传神,遂心应手,天质自然,游刃有余。 

唯有对东方审美机理有深刻的觉悟,才可以像他这样画山水是山水,画长松是长松,画人物是人物!画出来的作品大有专业品质,并且尽显大众审美魅力,是谓雅俗共赏。陈于庙堂是正大,装饰万家屏障是文化!这正是冯健安先生的绘画作品,在专业层面有影响力,在审美层面有号召力的重要原因! 

谢赫论画,言有六法。冯健安作法,六法皆具,无有短板。回顾丹青历史,精其一法者常见常闻,但是像冯建安先生这样六法精通,皆无流弊的能家实属稀有鲜见。所以纵观他的山水作品最有外师造化,中得心源的塑造质量,这就是追求气韵生动的终极高度。在对境造诣的过程中,可以骨法用笔,为山传神立骨。又可以水墨互破,渲染以青绿浅绛,构造一天清淑气,万里碧榆风的唯妙气韵。万里长城秋韵盛,令人心泊山水,可以澄怀清心,大感清风入怀,明月照心的清爽与壮阔,果然深铸中国梦,可以独与天地精神来往! 

冯健安先生作花鸟,可以掠物象之体貌,夺物象之精神。画之表是应物象形、随类赋彩的技法铺陈,画之核是物象人格化、画意精神化的凝聚与提炼。风来雨来,胡杨百折不挠。高枝瞻远,雄鹰振翅高飞。紫藤罗瀑,鸡寓吉气。浓墨重彩,浑厚华滋,恰与文化复兴的大势相合,亦与民族崛起的节奏相符,挂起这样的作品在眼前仰观,除了唯美,还有振心悦情的时代精气神。他把花鸟画从文人小雅的旧状态,推陈到盛世当歌的新高度! 

应物象形,随类赋彩。冯健安创作现代人物画作品,最有通过丹青传递人文讯息的担当。写实功底很厚,主题意识很强,精于专业塑造,却又很接地气,一幅《留守》图,可以击中人心最柔弱的情感中心,怜与惜凝聚成关注社会现实的大爱。把笔墨指向劳动者,构建丹青里的精神脊梁,可以激发观赏者的斗志盎然。人物画的主题意识、精神价值与花鸟、山水有异曲同工之妙,一并合成他为时代精神写真的功勋!

江上

《盛世当歌》总编室主任

Appropriate to the pictograph of the object and give color to the class - a note on the famous calligrapher and painter Feng Jian'an

In contemporary painting circles, the works of calligrapher and painter Feng Jianan are a unique existence! His Danqing painting method is deeply imitated by the ancient style, but he has the unique management wisdom of borrowing from the ancient to open up the present. He sharpened the traditional painting method to the purest level, and made good use of the skillful technique of concurrent writing and writing to create the grand pattern of the prosperous age and the song. The old-fashioned literati paintings were given to the petty family members who played with them, and they were completely eliminated, and the landscape, flowers, birds, and figures were combined into a mirror image of the spirit of the times. Watching their paintings greatly refreshed their hearts, both majestic and incisive, and a contemporary new literati was born. New look of painting! 

To do a good job in painting creation, the first point is to solve the modeling problem perfectly. At present, there are paintings with vulgar brushes, lack of brush power, inaccurate shapes, and the things drawn are confused, the methods are not authentic, and the skills are not exquisite, but they are called "expressionism". This kind of smearing carried out against the law has thrown the oriental aesthetics' art principle of emphasizing both form and spirit to the sky! The Chinese paintings that have been produced only have their names, but they are not real. On the other hand, Mr. Feng Jian'an's Chinese painting works can be combined with work and writing. The fine brushwork is realistic, superb, and the pursuit of excellence is absolutely unambiguous. Freehand and expressive, handy, natural and easy to handle. 

Only if you have a deep understanding of the oriental aesthetic mechanism, can you paint landscapes as landscapes, pine trees as pine trees, and figures as figures! The painted works are of great professional quality, and they show the aesthetic charm of the public, which means that both the refined and the common will appreciate. Chen Yu's temple is Zhengda, and the decoration of thousands of barriers is culture! This is precisely why Mr. Feng Jian'an's paintings are influential at the professional level and appealing at the aesthetic level! 

When Xie He talked about painting, there were six methods. Feng Jian'an's method has all the six methods, and there are no shortcomings. Looking back on the history of Danqing, it is common to hear about one of these methods, but it is rare to see a master like Mr. Feng Jianan who is proficient in the six methods and has no flaws. Therefore, looking at his landscape works, he is most blessed by foreign teachers and has the quality of shaping the heart. This is the ultimate height of pursuit of vivid charm. In the process of attaining the environment, one can use the brush in the bone method to express the spirit of the mountain. Ink and wash can also be broken with each other, rendered with green and light crimson, to create a pure and graceful day, and the wonderful charm of the elm wind in thousands of miles. The Great Wall of the Great Wall is full of autumn rhythm, which makes people feel the mountains and rivers. It can clarify the heart, feel the breeze, and the bright moon shines on the heart. 

Mr. Feng Jian'an, as a bird and flower, can plunder the physical appearance of objects and steal the spirit of objects. The surface of the painting is the technique of laying out the pictograph and coloring according to the type, and the core of the painting is the cohesion and refinement of the personification of the object and the spiritualization of the painting. Wind and rain come, Populus euphratica is indomitable. High branches look far, eagles fly high. Wisteria Falls, chicken is auspicious. It is rich in color and rich in beauty, which is in line with the general trend of cultural rejuvenation and the rhythm of the rise of the nation. Hanging such works in front of you and looking up, in addition to being beautiful, also has the spirit of the times. He took flower and bird painting from the old state of literati Xiaoya to a new height of prosperous age! 

According to the pictograph of the object, the color is assigned according to the class. Feng Jian'an's modern figure paintings are most responsible for conveying humanistic messages through Danqing. He has a solid foundation in realism, a strong sense of themes, is good at professional shaping, but is down-to-earth. A picture of "Leaving Behind" can hit the weakest emotional center of the human heart, and pity and pity are condensed into a great love that pays attention to social reality. Pointing the brush and ink to the laborers and building the spiritual backbone of Danqingli can stimulate the fighting spirit of the viewers. The thematic awareness and spiritual value of figure painting are similar to those of flowers, birds, and landscapes, and together they synthesize his contribution to the portrait of the spirit of the times!

Egami

Director of the editor-in-chief of "Song of Prosperity"