2020 年度全球各界贡献人物“年度之最”—

来源：投稿作者：管理员 2020-11-11 09:11:34

牛芳茂,1941年2月,出生于河南省济源市,金铭轩主人,自幼受家世熏陶,与书画结下了不解之缘。师从中国著名诗人、书画家马萧萧先生,师法欧阳询,后学王羲之、孙过庭、张旭、王铎等。擅长楷书、行书、草书,尤其擅长榜书。现任中国企业报道艺术资本·理事会副主席·艺术顾问、中国民族艺术家协会终身名誉主席、中国书画学会副主席、中国书画艺术家协会副主席、中国书法艺术协会常务副主席、中国文化艺术协会副会长、中国文艺家联合会副主席、中国诗书画联盟网名誉主席、中国艺术人民网学术委员会联席主席、新华艺术网艺术委员会副主席、中澳文化交流协会副主席、香港特区文化艺术总会荣誉主席、华夏文艺出版社社长、中国艺术品投资交易市场上市书画家、天津国土资源和房屋职业学院聘牛芳茂为客座教授。国家民族画院特聘书法家。国务院中南海国礼艺术中心特聘国礼艺术家。中国国学学会名誉会长。

Niu Fangmao, born in Jiyuan City, Henan Province in February 1941, is the master of Jin Mingxuan. He was influenced by his family since childhood and formed an indissoluble bond with painting and calligraphy. He studied under Mr. Ma Xiaoxiao, a famous Chinese poet and painter, studied under Ou Yangxun, and later studied Wang Xizhi, Sun Guoting, Zhang Xu and Wang Duo. He is good at regular script, running script and cursive script, especially at second place. Currently, he is the vice chairman of the Chinese Enterprise Reporting Art Capital Council, art consultant, lifelong honorary chairman of the Chinese National Artists Association, vice chairman of the Chinese Painting and Calligraphy Society, vice chairman of the Chinese Calligraphy Art Association, vice chairman of the Chinese Culture and Art Association, vice chairman of the Chinese Literary Federation, honorary chairman of the Chinese Poetry and Painting Alliance Network, co-chairman of the Academic Committee of the Chinese Art People's Network, and vice chairman of the Art Committee of Xinhua Art Network. Niu Fangmao, vice chairman of China-Australia Cultural Exchange Association, honorary chairman of Hong Kong Special Administrative Region Culture and Art Association, president of Huaxia Literature and Art Publishing House, painter and painter listed in Chinese art investment and trading market, and Tianjin Vocational College of Land Resources and Housing hired Niu Fangmao as a visiting professor. Distinguished calligrapher, National Academy of Ethnic Painting. State Council Zhongnanhai National Ritual Art Center specially appoints national ritual artists. Honorary President of Chinese National Studies Society.

牛芳茂先生和中书协主席苏士澍合影

牛芳茂作品

新鲜洁净世间稀,湖光山色净无尘

——记当代著名书法家牛芳茂先生

Fresh and clean, the world is rare, and the lakes and mountains are clean and dust-free —— Remember the famous contemporary calligrapher Niu Fangmao

书法作品除了有自愉、愉人的作用外,商品价值也是其重要的价值之一。如果作品只能自愉,那么书者应该处于爱好者的水准。如果作品能愉人,那么书者应该处于艺术家的水平。如果作品能上市流通,被人收藏升值,那么书者应该是到了书法名家大家的高度。著名书法家牛芳茂先生,其作品除自愉且能愉人外,还早已经上市流通,成为艺术品投资的重要标的物,有不可限量的升值空间,所以说牛芳茂并不是身处书界低端的爱好者,也并非身处中端的普通书法艺术家,而是身处书界顶端的书法艺术大师,名家。

牛芳茂的书法能上市流通,成为投资标的,所依资本主要依二项:一是其书法作品功底深厚,二是其书法作品有独树一派的清俊之风。

说到功底深厚,遍赏牛芳茂的书法成品,发现无论真、草、隶、篆,都规章鲜明。看其楷书作品《临池歌》即有柳骨之刚劲,又得颜筋饱满,可谓筋骨构造有道,尽通柳颜结构之精要。有欧笔的轻快细腻,也有赵笔的意气连绵,可谓又得融欧赵用笔之绝妙。牛芳茂能将楷书写到融四家精华于一身,完全依日常心追不停,手临不辍的习修劲头。秃笔千支,墨盛百缸而用尽,有心人,天不负,功到自然成的结果。

牛茂芳行书,也是古学深厚,涵养巨丰。他先习王羲之,后习孙过庭、张旭、王铎,行书写得功力十足。看其作品《笃诚》两字,字体显肥,笃意十足,又方正不乱,诚意充盈。两字笔法精妙,行笔潇洒飘逸,笔势委婉含蓄,富有意境,两字书有如行云流水,禅意显于字形,文化满溢其中。更见二字结体遒美,骨格清秀,点画疏密相间,谓不可多得极富羲之行书神气的佳作。

看牛芳茂的行书,不但可识功底之深,又可识其笔法之劲,更能得其章法之妙。看其作品录毛泽东《重阳》,其书完全是心意之作,因功底深厚,所以能纵笔如驰,与羲之书兰亭一般,以心驱笔,以意泼墨,笔墨随心所欲,上飞天,下入海,天高任鸟飞,海阔凭鱼跃,心意之作,畅快淋漓,一气呵成。若是指尖没有操笔如意的功底,何来这般淋漓?看《重阳》识功底,功底却在顶尖上。看用笔,尺幅之内极尽用笔使锋之妙,无论横竖点撇钩折捺都活力四射,特别是笔画的弯绕折态,更显龙腾虎跃气势,依笔造势,可见笔力雄劲,无以复加。再看章法,《重阳》之书,气势贯通,势来不可止,势去不可遏,势成血脉,滋字字活现,章法之美,独具风采。

无论是收藏者还是投资者,愿意出重资在市场上夺得牛芳茂的书法作品,是因皆被其作品的“清俊”之风所打动。竖幅《寿而康》,三字成书,字字清,因清而生俊,清俊之风,让人如遇仙家美客,啧啧称赞,倾心倾意。牛芳茂书法,之所以清俊,是因其用笔利索,不疑不滞,行笔姿态清俊,所在字字先得清俊之骨肉,行笔意气清俊,又让字字得清俊之气质。牛芳茂书法,字字从里到外都透着清俊喜人的意态,形意皆美,让人喜之不及,喜之不厌。

看行草《空谈误国,实干兴邦》八字幅,八字没有一字现一丝丑瑕,全是美目传情,秋波美意,清俊醉人。新鲜洁净世间稀,湖光山色净无尘,面对书法大家牛芳茂的绝世之作,投资者和收藏者不下重资拍下才怪!

Calligraphy works not only have the function of self-discovery, but also the commodity value is one of its important values. If the work can only be self-pleasing, then the book reader should be at the level of a lover. If the works can please people, then the writers should be at the level of artists. If the works can go on the market and be collected and appreciated, then the calligraphers should reach the height of famous calligraphers. Mr. Niu Fangmao, a famous calligrapher, whose works are not only self-pleasing but also enjoyable, have already been listed and circulated early, and become an important subject of art investment, with unlimited appreciation space. Therefore, Niu Fangmao is not a lover at the low end of the book industry, nor an ordinary calligraphy artist at the middle end, but a master and famous calligrapher at the top of the book industry. Niu Fangmao's calligraphy can be put on the market and become an investment target, and its capital mainly depends on two aspects: first, his calligraphy works have a profound foundation; second, his calligraphy works have a unique style of elegance. When it comes to profound knowledge, I have enjoyed Niu Fangmao's calligraphy products all over the world, and found that no matter the truth, the grass, the official script and the seal script, there are clear rules and regulations. Looking at his regular script "Linchi Song", it has both the rigidity of willow bones and the fullness of Yan Jin. It can be said that the structure of bones and muscles is well-established, and the essence of Liu Yan structure is fully realized. There is the lightness and delicacy of the European pen, and there is also the continuous spirit of Zhao's pen, which can be described as the wonderful use of the European and Zhao pens. Niu Fangmao can write regular script to integrate the essence of the four schools, completely chasing it according to his daily heart, and his hands will never stop practicing. A thousand bald pens are used up when the ink is filled with a hundred cylinders. Those who put their minds to it, who live up to their promises, are the result of natural achievements. Niu Maofang's running script is also profound in ancient learning and rich in self-restraint. He studied Wang Xizhi first, then Sun Guoting, Zhang Xu and Wang Duo, and his running script was full of skill. Look at the word "Ducheng" in his work. The font is fat, full of meaning, and it is square and sincere. Two-character brushwork is exquisite, the style of writing is elegant, the style of writing is tactful and implicit, and it is full of artistic conception. Two-character books are like flowing water, Zen is evident in the glyphs, and culture is full of them. See more beautiful, beautiful bones, dot paintings are dense and alternate, which means that it is rare to get a masterpiece with the air of running script with rich semantic meaning. If you look at Niu Fangmao's running script, you can not only know the depth of basic skills, but also the strength of his brushwork, and you can get the wonderful composition. Look at Mao Zedong's "Chongyang". His book is a masterpiece of mind. Because of his profound foundation, he can write like a gallop, just like Lanting, a book of Xihe. He drives his pen with his heart and splashes ink with his meaning. His pen and ink follow one's inclinations, flying up and down into the sea. The sky is high and the birds fly, while the sea is wide. His masterpiece of mind is dripping with ease. If fingertips don't have the skills to write well, how can they be so dripping wet? Look at "Chongyang" to know the basic skills, but the basic skills are at the top. Look at the pen, within the ruler's breadth, it's extremely wonderful to use the pen to make the front, and it's full of vitality regardless of the horizontal and vertical points, especially the bending and winding state of the strokes, which shows the momentum of the dragon and the tiger leaping, creating momentum according to the pen, which shows that the pen power is strong and hard to see. Looking at the composition, the book of Chongyang is full of momentum, coming to Fukashi, unstoppable, blood flowing, vivid, beautiful and unique. Both collectors and investors are willing to invest heavily to win Niu Fangmao's calligraphy works in the market, because they are moved by the "clear and handsome" style of his works. The vertical picture of "Shoukang" is written in three characters, with clear words. It is handsome because of clear words, which makes people praise and pour out their heart if they meet the beautiful guests of Xianjia. The reason why Niu Fangmao's calligraphy is clear and handsome is that he uses his pen neatly, without doubt or delay, and his posture of writing is clear and handsome. His words and characters get the flesh and blood of clear and handsome first, and his writing spirit is clear and handsome, and his temperament is clear and handsome. Niu Fangmao's calligraphy, from the inside to the outside, reveals a clear, handsome and gratifying attitude, which is beautiful in form and meaning, which makes people happy. Look at the eight-character picture of Traveling Grass, "Talking about Mistaking the Country, Doing Hard Work and Prospering the Country". There is no ugly flaw in the eight-character picture, which is full of beautiful eyes, beautiful eyes and charming eyes. Fresh and clean, the world is rare, and the lakes and mountains are clean and dust-free. Facing the peerless work of Niu Fangmao, a calligrapher, it is strange that investors and collectors should not pay more money to take pictures.

华艺书韵文化传媒有限公司艺术总监史峰 2017年3月23日

Shi Feng, artistic director of Huayi Shuyun Culture Media Co., Ltd., March 23, 2017