在书画界,说起沪上高健林老师,他不仅是一位擅长各种题材的“多面手画家”,更是一位对书画始终葆有虔敬、勤谨、探索、开拓精神的艺术家。
高健林,艺名高林,法号如健居士,南塘阁主,上海市人。现任国家一级美术师、中国工艺美术学会会员、中国美术家协会会员,中国书画家联谊会会员,中国书画家联谊会新文艺群体书画家工作委员会,特聘书画家、会员,中国楹联学会会员,中国民族建筑研究会书画艺术专业委员会客座教授,国家级书法家,获得国家文旅部颁发的“书法家国家职业资格证书”。上海实力派书画家,并被授予“中国影响力当代书法美术人物100家”荣誉称号。
In the field of painting and calligraphy, Mr. Gao Jianlin from Shanghai is not only a "versatile painter" who is good at various subjects, but also an artist who always has the spirit of piety, diligence, exploration and pioneering in painting and calligraphy.
Gao Jianlin, stage name Gao Lin, French name Ru Jian Ju Shi, master of Nantang Pavilion, Shanghai native. He is currently a national first-class artist, a member of China Arts and Crafts Society, a member of Chinese Artists Association, a member of Chinese Calligraphers Association, a special painter and member, a member of China Couplet Association, a visiting professor of national architecture institute of china Painting and Calligraphy Professional Committee, and a national calligrapher. He has obtained the "Calligrapher's National Vocational Qualification Certificate" issued by the Ministry of Culture and Tourism. Shanghai is a powerful painter and painter, and was awarded the honorary title of "100 influential contemporary calligraphy and art figures in China".
书法,138x68,庚子开秋月
观其书法,篆、隶、楷、行、草皆佳,尤擅行楷、行草笔法。其在行楷书写上重章法,在点画布局、布白精密、结构紧凑、重心安置等基础上求笔道流畅、潇洒多姿的神韵灵动之妙。他在行草上,追行书韵法与草书之狂放,在率真飘逸、行云流水的书境中索得不羁线条与万千意涵,在不离魏晋书蕴幻变、磊落之美中而呈精绝之书旨。在长期的研习中,他遵己思广临名帖而求变,立法破法而苦寻书法真谛,把执着的书法审美理念和挥毫笔墨时的大小错落、粗细变化、枯湿浓淡均运用到了行楷、行草的书法创作之中,终于钻研出属于自己的独特的、气韵生动的书风。他的行楷、行草书法,常被其大气磅礴、恣意纵橫、委婉含蓄遒劲健秀的笔势所折服,亦为他中侧兼用、铺收相合,切翻挫接、俯仰向背的笔法而拍案叫绝。
Looking at his calligraphy, seal cutting, Li, Kai, Xing and Cao are all excellent, especially good at Kai and Cao. It writes the re-chapter method in regular script, and strives for the charm of smooth, natural and unrestrained strokes on the basis of dot painting layout, precise white layout, compact structure and center of gravity placement. On the grass, he pursued the rhyme method and the wild cursive script, got unruly lines and myriad meanings in the straightforward and flowing book environment, and presented a perfect book purpose without the magic and open beauty of Wei and Jin books. During his long-term study, he changed according to his own thoughts, and tried to find the true meaning of calligraphy by breaking the law. He applied his persistent aesthetic ideas of calligraphy, as well as the size, thickness, dryness, and lightness of his brush and ink, to the calligraphy creation of running script and running grass, and finally delved into his own unique and vivid style of calligraphy. His writing style and cursive calligraphy are often impressed by his magnificent, unrestrained, euphemistic, subtle and vigorous style, and he is also amazed by his middle-side dual-use, combination of spreading and closing, cutting and turning back, and pitching to the back.
奇峰万木图,戊戌秋月
观其画作,皆格调清新,笔墨老辣醇厚,构图新奇,结构严谨,画面疏密有致,画中花干辉映,枝叶璧联。若作山水,则层峦叠嶂,远近、高低各有所致,每种物象的阴、阳、向、背各种姿态都刻画得栩栩如生。以自己的审美观点认识自然,形成了自己的书画风格和特点,笔墨变化自然。以景抒情,以情写景,大胆取舍,人物童子画形神兼备,充分体现出了人物的自然神态,令人赏心悦目。故其童子嬉戏图,不论闲暇还是嬉戏的神态,都在丰富中蕴入了自然神情和生活故事。
Looking at his paintings, they are all fresh in style, mellow in pen and ink, novel in composition, rigorous in structure, dense in picture, with flowers shining and branches and leaves connected. If it is a landscape, there are many mountains, which are caused by the distance and height, and the various postures of yin, yang, direction and back of each object are vividly depicted. Understanding nature from one's own aesthetic point of view has formed one's own style and characteristics of painting and calligraphy, and the ink changes naturally. Lyrics with scenes, scenes with feelings, bold choices, and the appearance and spirit of the boy's paintings fully reflect the natural expression of the characters, which is pleasing to the eye. Therefore, his children's frolic pictures, regardless of leisure or frolic manner, are enriched with natural expression and life stories.
楹联,138x34×2,戊戌春月
先后曾荣获中国艺术促进会授予的“共和国艺术先驱人物”,他热心于慈善事业,多次捐书画给慈善机构。他的作品先后在全国各地入册及入典,编入《中国当代名人录》、《上海书画家名典》、《百名书画扇面集》、《中国长三角书画院扇面小品集》;上海艺博会十周年庆典专辑《大美术增刊》;上海市民文化节,编入第二十四届至二十六届金桥之春《书画作品集》。2019年元月15日参加央视《国际中国公益事业大典》,入画集《采风中国》,并获“2018年度国际中国书画杰出成就奖”。近年来,其书画作品深受社会各界高度认可及肯定,在国内外有较高的声誉,并被国内外收藏机构、友人等收藏。
He has been awarded the title of "Pioneer of Art in the Republic" by China Art Promotion Association. He is enthusiastic about charity and has donated paintings and calligraphy to charities for many times. His works have been registered and included in the book all over the country, including "Who's Who in Contemporary China", "Famous Book of Shanghai Painters and Painters", "Fan Collection of 100 Paintings and Calligraphy" and "Fan Collection of China Yangtze River Delta Painting and Calligraphy Institute"; The tenth anniversary celebration album of Shanghai Art Fair "Great Art Supplement"; Shanghai Citizen Culture Festival is included in the Collection of Paintings and Calligraphy from the 24th to 26th Golden Bridge Spring. On January 15, 2019, he participated in CCTV's "International China Public Welfare Grand Ceremony", entered the painting collection "Collecting Wind in China", and won the "2018 International Outstanding Achievement Award of Chinese Painting and Calligraphy". In recent years, his paintings and calligraphy works have been highly recognized and affirmed by all walks of life, and have a high reputation at home and abroad, and have been collected by domestic and foreign collection agencies and friends.
协和万邦,138x68,庚子荷月
赤璧怀古,138×68,已未金秋
赤壁怀古诗,138×68,壬辰仲冬月
松溪钓艇,100x50己亥仲冬月
领导经典诗,138×68,己亥仲冬月
绝顶日犹晴,100×50,壬辰仲冬月
习主席题诗,138×68庚子荷月
富春山居图,138×45,庚子初春月
芦荡趣事,100×50,壬辰立秋
暮春即事,138x68,庚子荷月
梅兰,138×34x2,庚子开秋月
竹菊,138×34×2,庚子开秋月
书画中堂,庚子开秋月
乾坤之理,得山川之质的神品、妙品、逸品之作,的确不是一般凡夫俗子所能画出来的。读万卷书,行万里路,下笔如有神助。张彦远的“衣冠贵胄,逸士高人”,指的是饱学之士,知行合一者。无论是乾坤之理,山川之质,还是乾坤之饰。都是知行合一的结晶。
许多古代优秀的山水画,用布白与淡、疏、寒、荒一种“致虚极,守静笃”的“乾坤之饰”,“以形媚道”,营造出来“大音希声”,“大美无言”等山水象。这是中国绘画中独有的智慧。山水画家希望的是社会少几分谄媚、喧嚣,多几分思考、冷静。
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国画的境界,唯在静中得之。老子说,致虚极,守静笃,……归根曰静。画家若是每日挣扎于欲望,也许有某种满足,但毕竟历经撕心裂肺的痛。而人生的静就是一种境界了,它超越了欲望的挣扎,超越了撕心例肺的心痛。